Bainianling Juhui

by Efferat

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KAMI
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KAMI first listen: "this is dull"
third listen: "this is fucking great!"
I'm confused. Favorite track: Samjokgu.
FLESH MECHANIC
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FLESH MECHANIC One of the most haunting albums I have ever heard. The chaotic mix of oriental instruments drowning in the combination of drone metal and blackened whatever-the-hell-that-is really moved my imagination to the new heights. Last album to creep me out like this was Stalaggh's Projekt Misanthropia. Excellent job. Favorite track: Kleshas Bonnou.
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credits

released June 8, 2016

Personnel
N Brake-Taishōgoto,Bass,12 String Acoustic,Synths,Sampling
D Brake-Guitars,Synths,Shakuhachi,12 String Acoustic,Taishōgoto
Tristan Peterson (Drums)
Soma(Beats) on Samuraisangen
Lanza Manza (Didgeridoo) on Samuraisangen
A.V.D.L- (Vox) on Kleshas Bonnou
Kyle Chronister (Acoustic Guitar) on Kleshas Bonnou
Bull of Heaven (Sampling and Textures) on"Kleshas Bonnou" and "Wa Mikazuri Shoku"
Maurice De Jong (Guitars) on Samjokgu
AzrailNoir (Guitar) on I Mothras I Havet Av Trær
Tina DeSantis (Trumpet) on Kleshas Bonnou


Artwork
Benjamin Norigawa


Produced,Mixed and Written by N and D
Mastered by Colin Marston

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about

Efferat Pennsylvania

Created and formed in 2014 randomly on a website. the term "Efferat"(effero) is a third-person singular present active indicative term for "bring forth and take away" in Latin.

Our Intention was to capture a sound that is abstract, experimental, meditative and aggressive while conveying a surrealistic,mythological and philosophic undertone from our track titles.
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